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Around half of SOAD's tracks have him singing the hooks himself, and on paper, that's a sign for worry, especially if you remember his attempt at singing TLC's "Waterfalls" during a Pinata interlude. Never sounding like he's trying too hard seems to be his mantra, after all, as he observes on "Narcos," "Dope game hard / Rap game easy than a motherfucker."ĭespite his best efforts to make it seem like it comes naturally, he's been working on his singing a lot, and it shows.
FREDDIE GIBBS SHADOWS OF DOUBT 320 RAR HOW TO
He clearly pays attention to what's trendy in modern rap, and knows how to update his sound without exposing himself to the danger of out-of-character moments. A good deal of Shadow Of A Doubt's (criminally uncredited) production is pretty progressive, taking the chilly sonics of Drake's If You're Reading This It's Too Late even further under the ice, adding ghostly screwed up synths, moaning sub-bass and reverberating keys to amp up the Great Lakes-in-winter vibe. Instead of fixating on some "I was born too late" version of decades-old gangster rap- as he's done a few times at this point- Gibbs manages to give it a skillful facelift, incorporating interesting sounds, familiar turns of phrase and sprinklings of melody. This grounded charisma courses through almost all of his work, but it stands out even more when he's paired with rappers who don't match his style (because honestly, in 2015, who does?). What's more, Freddie kept a level head throughout, never sinking into the Future imitations that have plagued so many out-of-towners attempts at A-Town sounds or trying to hang with Black Thought's wordy reputation on some "lyrical spiritual miracle" shit. "Packages" and "Extradite" couldn't be more different, one a Tarentino-produced drug slangin' banger, and the other a dank, familiar-sample-deploying nostalgia trip, but their quality was undeniable. Dude's done some unthinkably mismatched shit in his time, as is obvious from the track record referenced above, but when he dropped off a pair of SOAD tracks that featured ATL goon rapper ManMan Savage and Late Night With Jimmy Fallon regular Black Thought, respectively, I thought he'd lost his mind. Rather than veering towards prevailing Chicago sounds (which is just a few miles away), he seems hellbent on being unclassifiable. This aspect of the album is perfectly highlighted by the snippet from Gibbs' GGN interview that appears at the end of "McDuck," in which Snoop Dogg observes that Gibbs sounds like he's "not from nowhere," able to define the sound of Gary, Indiana by himself. Over the course of his still-young career, Gangsta Gibbs has tried on a number of hats, each as satisfying as the next, his street-hardened, old-school thuggery finding ways to seep into the cracks of nearly any style that exists in the 2010s. True to its title, his new project proves beyond a Shadow Of A Doubt that Gibbs has become today's most versatile artist without sacrificing an ounce (or brick) of his realness, even though it's probably his most diverse release to date. Backpacker who always keeps a dimebag within reach? Last year's Pinata is your best option for a Madlib-helmed weirdo opus since Madvillainy.
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Drill fanatic? Try " Deuces," a gem of a Young Chop-produced loosie. Mid-2000s street rap addict? Gibbs' stint with Jeezy's CTE label checks that box, especially on the album ESGN. Old head? Try midwestgangstaboxframecadillacmuzik, the 2009 outing where he pays homage to icons like Outkast and Tupac. Freddie Gibbs gets eclectic without sacrificing any of his gangster realness.Īt this point, there's a version of Freddie Gibbs for every breed of hip hop fan.